Stretch across transition
One smooth glide
The frame before the cut glides into the frame after it, across the whole transition. The default.
A next-generation morph cut. CutFixer hides the cut cleanly, with minimal artifacts — especially on jump cuts. The graphics card does the work in real time, with no pre-render, and your color grading stays intact. There are settings for every scenario.
During the trial the app tells us whether the plugin was launched — just that and the day.
Play at real speed: both takes keep playing live, and the morph joins them on the move — the head keeps talking. Ease 100%, Extreme: the morph starts and stops gently and moves faster through the middle.
How it works
CutFixer builds the motion that was never filmed.
Where two takes meet, the head jumps.
The engine sees where every point moved: head, shoulders, hand.
From the same pixels, shifted along the motion. The cut is gone.
Better than a regular transition
Left — without CutFixer, right — CutFixer on the same cut.
The head and hand jump — the viewer can tell you cut here.
Halfway through — two see-through heads.
Analyzes in the background first. Reviews say it doubles moving backgrounds and gestures.
A Boris FX transition from Continuum. In the author's test: stutters without rendering, color drifts.
What it's built from
The Built from setting — which frames the transition follows.
Stretch across transition
The frame before the cut glides into the frame after it, across the whole transition. The default.
Play at real speed
Live video on both sides, morphed on the move. But what you cut out comes back.
Morph only at the cut
Live video with a short morph at the join: 2 to 120 frames. A long transition no longer drags.
What's inside
Eleven settings, the graphics card and honest color.
Compatibility
Premiere hands over frames already processed.
Scaled up a take in Motion? The head moves from one size to the other.
Sped up or slowed a clip? The transition uses the recalculated frames.
Color grading arrives ready-made, with no double conversion.
Each frame is read at its own size.
Quality
The Picture quality group, same as in Retimer.
Optimise for
Fast movement — for fast motion, Fine detail — for fine texture.
Default — Balanced, 1024 × 576
Sharper detail
Grass, fabric and hair stay sharp. Slower.
Fine detail as in the source
Cleaner edges
Motion is measured twice. Twice as slow.
Less ghosting at the edges
Steadier motion
One more pass over a mirrored frame.
Steady from frame to frame
Getting started
No nested sequences — straight onto the cut.
As usual: takes end to end, the head jumps at the cut.
Drag CutFixer onto the cut — the bar turns yellow.
Select the transition: mode, morph length, easing, quality and blur.
No render, in real time.
Trial
Hub gives you the trial; the transition is built in full, like the paid one.
Free
Without a key the frame is darkened and watermarked DEMO. The 3-day trial button in Hub removes it.
Key
Enter the key in Hub and restart Premiere. Hub renews it online once a week; after more than a week offline the watermark comes back.
Installation
Installs plugins and keeps your keys.
One button in Hub.
Or the 3-day trial, right there in Hub.
CutFixer is in Video Transitions › ASUD.
Versions
Each version — what was added, changed and fixed. Hub installs updates for you.
Fixed
We're actively developing and testing it, so your feedback means a lot. Found a bug or missing a feature? Let us know — most fixes and requests ship within 3–4 days of your report.
Questions
Morph Cut first analyzes the clips in the background, while CutFixer computes right away, on the graphics card. It sees how every point of the frame moves, and it has 11 settings: what the transition is built from, morph length, smooth start and finish, quality and blur. Try it on your toughest cut: 3 days free.
That one is sold only in the Continuum bundle — from $325 a year. In the author's test in Premiere its bar is red and the transition stutters without rendering, it ignores the clips' color grading, and the morph leaves artifacts. CutFixer computes on the graphics card right away and leaves color alone. Put both on your own cut: CutFixer gives you 3 days free.
As long as your edit needs. In Stretch across transition mode a long transition plays slowly, like slow motion. Need a short morph on a long transition? Choose Morph only at the cut and set the length: 14 frames by default, from 2 to 120.
No: on an NVIDIA graphics card CutFixer works in real time, about 20 ms per 4K frame.
It works: the processor computes a real transition. It's slower — about 1.3 times on Full HD and 2.8 times on 4K.
No. The frame stays in Premiere's working color, with no double conversion.
Yes: Premiere hands the transition frames that are already processed, with all the clip's effects. Clips of different sizes work too.
There's no special handling for them yet. Check it on your own footage during the trial.
CutFixer builds the transition in full, but the frame is darkened and covered with “DEMO · sudorgin.pro”. Enter the key in Hub and restart Premiere — the watermark goes away.
To enter the key, and once a week. The key is checked on your computer, and Hub renews the permission in the background over the internet. After more than a week offline the frame carries the DEMO text again — until Hub renews the permission.
No Mac version yet. It’s coming soon.
That's Retimer — a separate effect on the same engine, in the Effects section.
$40 · 3-day free trial · version 2.9.0